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About festival
WorldFest-Houston International Film Festival
Celebrating 60 Years of Discovering Independent Filmmakers
Welcome to the 60th Annual WorldFest-Houston International Film Festival!
Founded in 1961, WorldFest-Houston is the oldest independent film festival in the world and one of the longest-running celebrations of independent cinema anywhere. For more than six decades, we have championed emerging filmmakers, original voices, and bold storytelling from around the globe.
WHERE LEGENDS BEGIN.
For more than six decades, WorldFest has served as a launchpad for emerging filmmakers while remaining fiercely committed to independent storytelling, artistic discovery, and meaningful filmmaker experiences.
Unlike festivals centered on major studio productions, WorldFest was built to discover and support independent artists. Early in their careers, WorldFest recognized filmmakers such as Steven Spielberg, George Lucas, Ang Lee, Ridley Scott, Oliver Stone, Jane Campion, David Lynch, the Coen Brothers, Lesli Linka Glatter, Deepa Mehta, Agnieszka Holland, John Lee Hancock, Randal Kleiser, David Winning, and many more.
Our films are reviewed by a diverse jury of filmmakers, educators, critics, festival alumni, and industry professionals from around the world. Meet our recent jury panel here:
https://www.worldfest.org/festival/jurors
Now it's your turn.
THE WORLDFEST EXPERIENCE
WorldFest60 is a nine-day international celebration of independent film featuring:
• Premiere screenings featuring approximately 35 feature films and 100 short films from around the world
• Industry seminars, workshops, and masterclasses designed to expand your craft and career
• Filmmaker panels and networking mixers because filmmaking is a team sport
• Intimate access to fellow filmmakers, jurors, speakers, and industry professionals in a filmmaker-first environment
• The Remi Awards Gala, celebrating creative excellence and the artists behind the work
• Daily wellness programming designed to help filmmakers combat burnout, foster creativity, and build sustainable artistic careers
• The International Autism Filmmakers Showcase, celebrating autistic storytellers and expanding access to the film industry
• Closing Day celebrations, including our signature Day on the Bay with the Houston Yacht Club
WORLD FEST PROGRAMMING PHILOSOPHY
We seek films that are bold, authentic, emotionally resonant, and deeply personal. Whether made for $500 or $5 million, we believe great storytelling transcends budget. We champion independent voices, cultural exchange, artistic risk-taking, and filmmakers with a unique point of view.
As our founder Hunter Todd often said, we are looking for "a good story, well told."
Trailer
Awards
Festival Amenities
Accepted Content
Submission Categories
Animated Short
Short films created primarily through animation, including 2D, 3D, stop-motion, clay, hand-drawn, CGI, or mixed techniques.
Comedy Short
Short films where comedy is central to the storytelling.
Documentary Short
Short Films that are non-fictional intended to "document reality, primarily for the purposes of instruction, education, or maintaining a historical record."
Experimental Short
Short films that explore innovative storytelling, visual art, or unconventional cinematic techniques.
Family/ Children Short
Short films appropriate for family audiences, with themes suitable for children and adults to enjoy together.
Horror Short
Short films centered on horror, fear, suspense, supernatural dread, or dark genre storytelling.
Narrative Short
Short fictional films of any genre.
Science Fiction & Fantasy Short
Short films featuring speculative fiction, futuristic concepts, fantasy worlds, or supernatural elements.
Student Short
Short films completed while the primary filmmaker was enrolled as a student.
Suspense / Thriller Short
Short Films that evoke excitement and suspense in the audience.
Vertical Storytelling
Projects intentionally created for vertical 9:16 viewing on mobile-first platforms, including narrative, documentary, comedy, branded, experimental, or episodic works.
Animated Feature
Feature-length films created primarily through animation, including 2D, 3D, stop-motion, clay, hand-drawn, CGI, or mixed techniques.
Documentary Feature
Feature Films that are non-fictional intended to "document reality, primarily for the purposes of instruction, education, or maintaining a historical record"
Comedy Feature
Feature-length fictional films where comedy is central to the storytelling.
Experimental Feature
Feature-length films that challenge traditional storytelling through innovative visual, narrative, or technical approaches.
Family/Children Feature
Feature-length films appropriate for family audiences, with themes suitable for children and adults to enjoy together.
First Feature
The director’s first feature-length film, regardless of genre.
Horror Feature
Feature-length films centered on horror, fear, suspense, supernatural dread, or dark genre storytelling.
International Feature
Feature-length films produced primarily outside the United States or representing an international creative team.
Low Budget Feature
Feature Films that were made with a low budget of 250, 000 or less.
Narrative Feature
Feature-length fictional stories of any genre, including drama, action, romance, historical, western, faith/spiritual, and more.
Science Fiction & Fantasy Feature
Feature-length films featuring speculative fiction, futuristic concepts, fantasy worlds, or supernatural elements.
Suspense / Thriller Feature
Feature Films that evoke excitement and suspense in the audience.
Music Video
Music videos of any genre or style.
Concert Performance
Musical concert of any genre or style.
Interactive Media
Interactive, immersive, or non-linear digital experiences, including XR, VR, AR, and other emerging media.
Podcast/Video Podcast
Podcast or video podcast projects.
Web Series
Episodic works created for web or streaming distribution.
Commercials
Advertising, promotional, or branded content created for broadcast, digital, theatrical, or online distribution.
Public Service Announcements (PSAs)
Short-form productions created to educate, inspire, or promote public awareness for nonprofit, governmental, educational, or community initiatives.
Professional Media - Corporate / Brand
Professional films created to promote, communicate, or tell the story of a company, brand, organization, or product.
Professional Media - Performing Arts & Dance
Projects celebrating dance, music, theater, opera, or other performing arts through cinematic storytelling or performance capture.
Professional Media - Educational / Training
Films and videos designed to educate, instruct, or train audiences in academic, professional, or workplace settings.
Professional Media - Medical / Scientific
Films exploring medicine, healthcare, science, technology, research, or innovation for professional or public audiences.
Professional Media - Travel & Destination
Films showcasing destinations, cultures, tourism experiences, or the spirit of place through compelling visual storytelling.
Professional Media - Environmental & Conservation
Projects highlighting environmental stewardship, sustainability, conservation, climate, wildlife, or the natural world.
Television - Episodic Series
Scripted episodic productions created for television, streaming, or digital platforms.
Television - Documentary Series
Nonfiction episodic series exploring real people, events, cultures, or issues.
Television - News and Journalism
Outstanding journalistic storytelling, investigative reporting, current affairs, or documentary news programming.
Television Special
Standalone television or streaming productions created as a single special presentation.
Festival Team
Katy Lea Cannon
Executive Director
Kathleen Haney
Program and Artistic Director
Laurence Howard
Special Operations & Jury Manager
Grant Carr
Media Operations Officer
Robert Jauregui
Seminar Programmer
Lauren Calderon
Community Engagement Manager
Tammy Diaz
Shorts Programmer
Ingrid Rincón
Communications Manager
Oscar Voigt
Technologist & WorldFlix Specialist
Hunter Todd
Founding Director
Festival Rules
RULES & TERMS:
By submitting a project to the 60th Annual WorldFest-Houston International Film Festival, you acknowledge that you have read, understood, and agree to the following Rules & Terms.
FESTIVAL DATES:
The 60th Annual WorldFest-Houston International Film Festival is scheduled for April 30 – May 8, 2027. Festival venues, programming schedules, and activities are subject to change.
GENERAL ELIGIBILITY:
• All submitted projects must have been completed after April 1, 2024.
• WorldFest-Houston accepts completed projects only. Works-in-progress, rough cuts, unfinished edits, and incomplete projects are not eligible.
• Filmmakers may update their submission materials through January 15, 2027. If significant changes are made after submission, entrants should notify the festival so we can coordinate with the jury process.
• Submissions must be entered through FilmFreeway or other approved submission platforms designated by the festival.
• Screening links may be hosted on FilmFreeway, Vimeo, YouTube, or similar platforms but must remain active and accessible, including any required passwords, through May 2027.
• Foreign-language projects must include English subtitles.
• WorldFest strongly encourages captions or subtitles whenever available to improve accessibility for all audiences.
• WorldFest prioritizes World, International, North American, U.S., Regional, Texas, and Houston premieres whenever possible. Films that have screened elsewhere remain eligible for competition and awards consideration. Public screenings are curated at the discretion of the programming team. We especially love discovering World Premieres at WorldFest.
• The International Autism Filmmakers Showcase welcomes submissions from filmmakers who identify as autistic or as members of the autism community. Participation is based on good-faith self-identification. No diagnosis, documentation, or disclosure of personal medical information is required. WorldFest-Houston created this category to amplify autistic voices and asks entrants to honor the spirit and intent of the program.
• Student entries must have been completed while the director, producer, writer, or primary creator was enrolled in an educational institution. High school, undergraduate, graduate, doctoral, and professional degree students are welcome. WorldFest-Houston may request proof of enrollment, such as a student ID, transcript, enrollment verification letter, or equivalent documentation.
• WorldFest-Houston reserves the right to determine final category placement for all submissions.
SELECTION PROCESS:
• WorldFest-Houston is committed to a thoughtful and thorough review process. Every submitted project is reviewed by at least two qualified screeners composed of filmmakers, educators, critics, artists, and industry professionals. Projects that advance receive additional review by members of the programming team and jury.
• To preserve the integrity of the judging process, juror identities are generally released after the completion of festival programming.
• Jurors may be recused from evaluating projects where a conflict of interest exists.
• Projects are evaluated using the WorldFest Creative Excellence Matrix, which considers originality, storytelling, artistic vision, technical execution, emotional resonance, overall impact, and audience engagement. As our founder Hunter Todd often said, we are looking for "a good story, well told."
• Authentic voices representing a broad range of cultures, experiences, and perspectives are valued and encouraged.
• Award levels are determined through cumulative jury scoring and programming review.
• WorldFest-Houston presents Grand Remi, Special Jury Remi, Platinum Remi, Gold Remi, Silver Remi, and Bronze Remi Awards.
• While WorldFest-Houston is committed to encouraging filmmakers and celebrating artistic achievement, awards are earned through a competitive jury process and are never guaranteed. The festival's mission is to recognize creative excellence and emerging talent, not simply participation.
• Jury decisions are final.
IF SELECTED:
• Selected films must provide an exhibition copy in an approved screening format, including DCP, Blu-ray, or digital file as specified by the festival. WorldFest does not exhibit films from screener links.
• WorldFest-Houston works diligently with selected filmmakers to obtain exhibition materials and resolve technical issues whenever possible. However, filmmakers are ultimately responsible for providing screening materials by festival deadlines.
• Failure to provide required exhibition materials, press materials, or technical deliverables by stated deadlines may result in removal from the festival schedule.
• The festival reserves the right to decline exhibition of projects that fail technical requirements, cannot be successfully tested, or arrive after stated deadlines.
• Selected filmmakers will be required to provide an Electronic Press Kit (EPK), including:
High-resolution film stills (.png or .jpg) Official poster artwork Film synopsis in English Director biography in English Director headshot Film credits Social media handles and website information (if applicable)
• Films are exhibited in professional theatrical venues using cinema-grade projection and sound systems.
• Accepted projects grant WorldFest-Houston the non-exclusive right to:
Exhibit the project during festival screenings and related festival events Use approved stills, trailers, clips, posters, and promotional materials for festival marketing, publicity, educational, and archival purposes.
• Participation in any festival streaming, virtual screening, educational distribution, or online exhibition program requires separate filmmaker consent. WorldFest-Houston will not stream accepted projects without permission.
RIGHTS & RESPONSIBILITIES:
• The entrant confirms that they possess all necessary rights, licenses, permissions, and clearances required for exhibition of the submitted work, including music, images, trademarks, and third-party content.
• The entrant accepts full legal responsibility for the submitted work and agrees to indemnify and hold harmless WorldFest-Houston, its staff, volunteers, jurors, sponsors, venues, partners, and affiliates against any claims arising from the exhibition, promotion, or distribution of the project.
• Entrants retain all ownership and intellectual property rights to their work.
• Projects incorporating generative AI tools remain eligible for consideration. WorldFest-Houston may request disclosure of significant AI-generated imagery, voices, performances, animation, or other creative elements for programming, educational, awards, or transparency purposes.
• WorldFest-Houston is not responsible for damage, loss, theft, corruption, technical failure, or inability to exhibit materials provided by the entrant.
• No screening fees, rental fees, or exhibition fees will be paid for accepted projects.
• Projects may be withdrawn prior to notification. Once accepted into the festival program, withdrawal requests will only be considered under extraordinary circumstances. Unauthorized withdrawal after acceptance may affect eligibility for future WorldFest-Houston participation.
• WorldFest-Houston reserves the right to reschedule, relocate, postpone, modify, or cancel screenings, events, festival activities, venues, dates, or programming as necessary. The festival shall not be liable for costs, damages, travel expenses, accommodations, lost profits, or other losses resulting from such changes.
SCREENPLAY COMPETITION:
• Screenplays must be submitted electronically through FilmFreeway.
• To maintain judging integrity and support anonymous review, screenplay submissions must not contain the writer's name, contact information, or identifying information within the script document.
• Scripts that do not comply with anonymous submission requirements may be disqualified or returned for correction at the festival's discretion.
CONDUCT & PROFESSIONALISM
• WorldFest-Houston is committed to creating a welcoming, safe, inclusive, and professional environment for all participants.
• Harassment, discrimination, threats, abusive conduct, intimidation, or inappropriate behavior directed toward festival staff, volunteers, jurors, sponsors, attendees, venue personnel, or fellow filmmakers may result in disqualification, removal from festival activities, forfeiture of awards, and/or ineligibility for future participation.
ADDITIONAL INFORMATION:
• WorldFest-Houston is a nonprofit 501(c)(3) educational arts organization dedicated to supporting independent filmmakers, film education, cultural exchange, and creative excellence.
• Entry fees are non-refundable.
• Submission does not guarantee nomination, award recognition, selection, screening, festival credentials, travel assistance, or participation in any festival event.
• WorldFest-Houston reserves the right to make final determinations regarding eligibility, category placement, scheduling, awards, exhibition, and interpretation of these rules.
By submitting a project, you acknowledge and accept these Rules & Terms and agree to abide by all festival decisions and policies.
Thank you for sharing your story with us. We wish you the very best in your creative endeavors and look forward to seeing where your journey leads next.
WorldFest-Houston Fiercely Independent Since 1961